Friday, March 23, 2012

Batman Begins [Blu-ray] (2005)


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Batman Begins discards the last four films inside series and recasts the Caped Crusader as a fearsome avenging angel. That's good news, for the reason that series, which in fact had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997's Batman & Robin. Because the title implies, Batman Begins tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization pursuing the murder of his parents. He's drawn in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged being a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that's strangling it. But are there forces a lot more sinister at hand?
Co-written from the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is really a welcome return towards the grim and gritty version of the Dark Knight, owing an excellent debt to the graphic novels that preceded it. It doesn't contain the razzle dazzle, or perhaps the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, similar to "first" superhero movies. But it's certainly the best Bat-film since Burton's original, the other in the best superhero movies of the time. Bale cuts an excellent figure as Batman, intense and dangerous but by incorporating with the lightheartedness Michael Keaton brought towards the character. Michael Caine provides much of the film's humor since the family butler, Alfred, in addition to being the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman because the young officer Jim Gordon, Morgan Freeman being a Q-like gadgets expert, and Cillian Murphy because the vile Jonathan Crane. --David Horiuchi
Batman Begins explores the origins in the Batman legend and also the Dark Knight's emergence as a force for good in Gotham. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the entire world seeking the means to fight injustice and turn fear against people that prey for the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high tech deceptions to battle the sinister forces that threaten the city.











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Thursday, March 22, 2012

Terminator 2: Judgment Day (Skynet Edition) [Blu-ray] (1991)


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Arnold Schwarzenegger returns as The Terminator on this explosive action-adventure spectacle. Now he's one of the good guys, sent back in time to suit your needs to protect John Connor, the boy destined to enjoy the liberty fighters from the future. Linda Hamilton reprises her role as Sarah Connor, John's mother, a quintessential survivor who continues to be institutionalized on her warning of the nuclear holocaust she knows is inevitable. Together, the threesome must discover a way to prevent the ultimate enemy - the T-1000, probably the most lethal Terminator ever created. Co- written, produced and directed by James Cameron (The Terminator, Aliens, Titanic), this visual tour de force is also a touching human story of survival.



Arnold Schwarzenegger is back in the big way on this pulse-pounding sequel. This time around he's a reprogrammed T-800 who not only defends Sarah Connor's (Linda Hamilton) young son John (Edward Furlong) from the highly advanced Terminator (Robert Patrick) while using ability to change its shape, but must fight to prevent a cataclysmic event that may destroy human civilization. Oscar-winning special effects and non-stop action highlight this smash hit from director James Cameron. R-rated version; 135 min./Extended version; 152 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1 EX, French Dolby Digital stereo; Subtitles: English (SDH), French, Spanish; audio commentary by Cameron others; behind-the-scenes footage; storyboards; trivia; games; more.











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Mission: Impossible Ghost Protocol (Two-Disc Blu-ray/DVD Combo +Digital Copy) (2011)


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The other half in the first decade of the Twenty-first century continues to be type of tough for Tom Cruise. That's tough in a very way over and across the hardship of just living the legacy of one of history's top movie stars--a job more demanding than any mere mortal could imagine. But after two fruitful collaborations with Steven Spielberg (Minority Report and War from the Worlds), his stature took a beating through the one-two hits of the wacky PR gaffes which string of relative box-office disappointments (Lions for Lambs, Valkyrie, Knight and Day), which seemed to start with the third installment of his Mission: Impossible franchise in 2006. It's hard to say using a straight face that consuming only $398 million worldwide can be a disappointment, but it was a decreased for your series, which some later saw as being a prelude to his potentially dimming stardom. But for the cusp of turning 50, it's like Tom Cruise has put the licking behind him and entered a fresh phase of self-conception having an upcoming variety of roles, starting using a more maturely controlled version of superspy Ethan Hunt inside sleek and supercharged Mission: Impossible - Ghost Protocol. The things Cruise has been doing right in M: I part four include toning down his youthful, arrogant preening and letting his castmates share more in the spotlight (Jeremy Renner, Paula Patton, and Simon Pegg all incorporate some terrifically shiny moments). He also lets the unique creative vision of director Brad Bird shine through in a very first live-action outing to the acclaimed helmer of Iron Giant, The Incredibles, and Ratatouille. Still looking much younger than his years (that hair! those pecs! those abs!), Cruise is playing more age-appropriately, letting a bit wisdom and grace seep into his charisma therefore the wattage of his mere presence smolders a little deeper. It's a great nod to your graying generation saying you can get older and still be cool. All that isn't to state he doesn't play up his action-star chops to the max. In a mostly inconsequential narrative arc which has connected with purloined nuclear launch codes, an important metal briefcase, satellite uplinks, and global annihilation that leaps from Moscow to Dubai to Mumbai, Cruise will be as dangerously nimble as he has ever been. He dangles one-handed in the tallest building inside the world, bounds off ledges, springs away from speeding vehicles, tumbles and careens up and on the levels of the automated parking garage, and customarily sprints and jumps his way through the movie with only a scratch or bruise to exhibit for it. Also for the outlandish upside can be a happily stereotypical villain straight from Connery-era Bond so that as many bleeding-edge gadgets as the art department techno-geeks could dream up. A running gag is many of those electronic fantasy tools fail at exactly the wrong moment, that is part of the larger wink acknowledging how utterly preposterous yet ingeniously conceived this behemoth of an movie really is. The gadgetry is not limited just towards the miraculous props. Ghost Protocol employs CGI fakery of the highest order from the sub-industry of effects contractors that ratchet up the standard of computing power and software design, one-upping each successive action-adventure extravaganza. The loving detail that switches into blowing the Kremlin or rendering a photo-realistic sandstorm erupting over the enhanced skyline of your Oz-like desert city is certainly not short of miraculous. What's more astonishing is the fact that Tom Cruise closes the sale using a selling power that's as new and improved as the laminates on his multi-million-dollar teeth. --Ted Fry

No plan. No backup. No choice. Agent Ethan Hunt (Tom Cruise) and his elite team (Jeremy Renner, The Avengers and Simon Pegg, Star Trek) go underground after a bombing in the Kremlin implicates the IMF as international terrorists. While attempting to clear the agency's name, the team uncovers a plot to start a nuclear war. Now, to save lots of the world, they have to use every high-tech trick inside book. The mission never been more real, more dangerous, or more impossible.











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Panasonic DMP-BDT220 Integrated Wi-Fi 3D Blu-ray DVD Player price


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Panasonic’s 2012 Blu-ray Disc players focus on smart home networking, high-quality picture and sound, ease-of-use, eco-efficiency, and sleek design. The BDT-220 is often a Full HD 3D Blu-ray Disc player that features expanded VIERA Connect functionality, FLAC (Free Lossless Audio Codec) compatibility, and superior sound image and quality.

VIERA Connect

Panasonic’s IPTV platform VIERA Connect, now beneath the Smart VIERA umbrella, continues to be expanded for 2012 Blu-ray  products and now utilizes cloud technology to provide an unlimited quantity of entertainment, social networking, gaming, health & fitness, sports & news sites. Enjoy sites for example Skype, Netflix, Amazon Instant Video, You Tube, huluplus, CinemaNow, Vudu, Pandora, Facebook, Twitter, My space, and Flixster. With 2012 models, you might have access to your wide number of Internet content from your comfort of one's living room.

24p Output for VOD

The BDT-220 not only plays Blu-ray Discs and DVDs, but also video-on-demand movies content in the same 24p format as used at movie theaters. Connection to some 24p capable TV via an HDMI capable lets you like a wide selection of content with full cinematic picture quality. This feature requires a TV that supports 24p playback.*

UniPhier Chip Processor

This Full HD 3D Blu-ray Disc player features UniPhier single chip signal processing that eliminates unnecessary wiring, leading to reducing noise about the picture and sound signal to the absolute minimum. The DVD Super Resolution Processor helps produce natural pictures without having false contours, higher resolution for details, and a reduction in noise.

Connectivity

The entire 2012 line features DLNA for easy connection along with other DLNA equipped products. Share and enjoy digital photos (JPEG), music (MP3, WMA) and videos (AVCHD, WMV) simply by connecting to a home network (LAN).  VIERA Link provides connectivity along with other VIERA Link compatible products and NAS compatibility. The BDT-220 has a Wi-Fi system built right into the main unit so it can be done to enjoy VIERA Connect and BD-Live content without having to enter touch using a LAN cable or wireless LAN adaptor. Players may also be compatible while using NTFS format HDD.

Adaptive Chroma Processing

Adaptive Chroma Processing is often a high quality image-processing technology developed to precisely process each pixel of Blu-ray Disc video signals inside vertical and horizontal directions to produce extremely high color resolution and exquisite edges.

Personalization

To personalize the house theater experience, the modern multi-user mode for the BDT-220 allows you to register four users each can record individual favorite settings. You'll be able to decide on a personal icon from 16 pre-installed images, or photos from an external source. You also hold the choice to change the home screen with any image you choose. Features such as the home screen customization too as enhancement of VIERA Connect allow you to easily personalize your entertainment experience to suit your lifestyle. Download the exclusive Panasonic app and you’ll be also able to make use of your iPhone or Android smartphone as being a remote device for your BDT-220.

Full HD 3D Blu-ray Disc Playback

The advanced 2D technologies from the Panasonic Hollywood Laboratory have also been placed on 3D image playback, providing top quality images. 2D-3D conversion enables conversion of 2D images on DVDs and Blu-ray Discs into 3D images with natural depth perception. Screen type (flat or round) and frame color are typically selectable. Watch your favorite DVD movie collection in 3D after only greater viewing enjoyment. 

Original Skype Functions

Enjoy communication in your living room with friends and family with all the Skype function. Record an original message and apply it as your answering video message. The message will have automatically when you receive a call while you're away. Callers can record messages while you are away onto an SD Memory Card* so you can watch the messages whenever you return. *Minimum 512 MB required. Skype requires an optional TY-CC20 Communication Camera that isn't offered with purchase.
Energy Star Qualified

Panasonic is usually working to boost its technology, design, and commitment to the environment. Attractive compact designs and energy-saving functions help Panasonic Blu-ray Disc products protect environmental surroundings by effectively conserving limited natural resources. All 2012 models are Energy Star Qualified.

2012 Panasonic VIERA Blu-ray Disc Player Comparison Chart

Series
DMP-BBT01
DMP-BDT500
DMP-BDT320
DMP-BDT220
DMP-BD87
DMP-BD77
Wi-Fi Capability
Built-in Wi-Fi
Built-in Wi-Fi
Built-in Wi-Fi
Built-in Wi-Fi
Built-in Wi-Fi
Wi-Fi Ready
Dolby True HD


DTS Master Audio Essential


DLNA Capability (via LAN)


FLAC Compatibility


External HDD Playback


Multi-User Mode


Fast Booting & Loading


Ultra
Ultra
Energy Star Qualified


Full HD Playback
3D HD
3D HD
3D HD
3D HD
2D-3D Conversion


Adapative Chroma Processing


24p Output for VOD


Smartphone Function Capability


VIERA Connect


VIERA Link


Skype Communication*

SD Storage Device Slot

Touch Pad Remote Control

Slot-in Drive


Lay-out Free Design

Smart Eco Sensor


Analog Audio 7.1 Channel Output
Twin HDMI
Online Movies/IP VOD



Panasonic’s 2012 Blu-ray Disc players give attention to smart home networking, high-quality picture and sound, ease-of-use, eco-efficiency, and sleek design. The BDT-220 is often a Full HD 3D Blu-ray Disc player that features expanded VIERA Connect functionality, FLAC (Free Lossless Audio Codec) compatibility, and superior sound image and quality.

VIERA Connect

Panasonic’s IPTV platform VIERA Connect, now within the Smart VIERA umbrella, may be expanded for 2012 Blu-ray  products and today utilizes cloud technology presenting an unlimited amount of entertainment, social networking, gaming, health & fitness, sports & news sites. Enjoy sites like Skype, Netflix, Amazon Instant Video, You Tube, huluplus, CinemaNow, Vudu, Pandora, Facebook, Twitter, My space, and Flixster. With 2012 models, you've got access to your wide number of Internet content in the comfort of the living room.

24p Output for VOD

The BDT-220 not only plays Blu-ray Discs and DVDs, but additionally video-on-demand movies content in the same 24p format as used at movie theaters. Connection to your 24p capable TV via an HDMI capable lets you have a wide array of pleased with full cinematic picture quality. This feature requires a TV that supports 24p playback.*

UniPhier Chip Processor

This Full HD 3D Blu-ray Disc player features UniPhier single chip signal processing that eliminates unnecessary wiring, resulting in reducing noise about the picture and sound signal towards the absolute minimum. The DVD Super Resolution Processor helps produce natural pictures without false contours, higher resolution for details, and a reduction in noise.

Connectivity

The entire 2012 line features DLNA for straightforward connection along with other DLNA equipped products. Share and enjoy digital photos (JPEG), music (MP3, WMA) and videos (AVCHD, WMV) by simply connecting with a home network (LAN).  VIERA Link provides connectivity with other VIERA Link compatible products and NAS compatibility. The BDT-220 includes a Wi-Fi system built right in to the main unit so it can be done to enjoy VIERA Connect and BD-Live content without having to connect which has a LAN cable or wireless LAN adaptor. Players will also be compatible with all the NTFS format HDD.

Adaptive Chroma Processing

Adaptive Chroma Processing is really a top quality image-processing technology developed to precisely process each pixel of Blu-ray Disc video signals in the vertical and horizontal directions to make extremely high color resolution and exquisite edges.

Personalization

To personalize the home theater experience, the modern multi-user mode on the BDT-220 allows that you register four users and each can record individual favorite settings. You can go with a personal icon from 16 pre-installed images, or photos from an external source. You also possess the choice to customize the home screen with any image you choose. Features just like the home screen customization too as enhancement of VIERA Connect allow you to definitely easily personalize your entertainment experience to match your lifestyle. Download the exclusive Panasonic app and you’ll be also in a situation to make usage of your iPhone or Android smartphone as a remote control for your BDT-220.

Full HD 3D Blu-ray Disc Playback

The advanced 2D technologies of the Panasonic Hollywood Laboratory seemed to be applied to 3D image playback, providing top quality images. 2D-3D conversion enables conversion of 2D images on DVDs and Blu-ray Discs into 3D images with natural depth perception. Screen type (flat or round) and frame color are typically selectable. Make your favorite DVD movie collection in 3D for only greater viewing enjoyment. 

Original Skype Functions

Enjoy communication inside your family area with family and friends while using Skype function. Record an original message and put it to use as your answering video message. What it's all about can play automatically if you get a telephone call while you might be away. Callers can record messages while you're away onto an SD Memory Card* so you are able to watch the messages once you return. *Minimum 512 MB required. Skype requires an optional TY-CC20 Communication Camera that just isn't included with purchase.
Energy Star Qualified

Panasonic is always working to boost its technology, design, and commitment for the environment. Attractive compact designs and energy-saving functions help Panasonic Blu-ray Disc products protect the environment by effectively conserving limited natural resources. All 2012 models are Energy Star Qualified.




Smartphone Remote Control
Wi-Fi Built-in
2D to 3D Conversion for VIERA Connect








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300 [Blu-ray] (2007) review


you're want to buy Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom in the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord of the Rings, Michael Fassbender, and Andrew Pleavin) into a battle from the overwhelming force of Persian invaders. Their only hope would be to neutralize the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), with the narrow strait of Thermopylae. More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 is also much like Sin City in how the actors were shot on green screen, then put into digitally created backgrounds. The effort pays off in a strikingly stylized look and huge, sweeping battle scenes. However, it isn't as to-the-letter faithful to Miller's source material as Sin City was. The plot will be the same, and many of the book's images are represented just about perfectly. But additional material continues to be added, including new villains (who could be considered "bosses" if this were a video game, plus it often is like one) and a political subplot involving new characters plus a significantly expanded role for the Queen of Sparta (Lena Headey). While this subplot by director Zack Snyder (Dawn of the Dead) and his fellow co-writers does break inside the violence, most fans could possibly dismiss it as filler whether or otherwise this didn't involve the sexy Headey. Other viewers, of course, will be turned off with the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs may also be relentless, and the movie has more and much less nudity--more female, less male--than the graphic novel.) Still, as a representation of Miller's work in addition to being an ancient-themed action flick using a modern edge, 300 delivers. --David Horiuchi

The epic graphic novel by Frank Miller (Sin City) assaults the screen with the blood, thunder and awe of their ferocious visual style faithfully recreated in an intense combination of live-action and CGI animation. Retelling the ancient Battle of Thermopylae, it depicts the titanic clash by which King Leonidas (Gerard Butler) and 300 Spartans fought to the death against Xerxes (Rodrigo Santoro) and his awesome massive Persian army. Experience history at swordpoint. And moviemaking using a cutting edge.
,yes ..! you comes at the right place. you can get special discount for Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom of the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord of the Rings, Michael Fassbender, and Andrew Pleavin) right into a battle from the overwhelming force of Persian invaders. Their only hope is to neutralize the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), with the narrow strait of Thermopylae. More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 can also be much like Sin City in the actors were shot on green screen, then included with digitally created backgrounds. The effort pays off inside a strikingly stylized look and huge, sweeping battle scenes. However, it isn't really as to-the-letter faithful to Miller's source material as Sin City was. The plot is the same, and several from the book's images are represented just about perfectly. But some extra material may be added, including new villains (who would be considered "bosses" if this were a video game, also it often feels as though one) along with a political subplot involving new characters and a significantly expanded role for your Queen of Sparta (Lena Headey). Even if this subplot by director Zack Snyder (Dawn from the Dead) and his fellow co-writers does break the violence, most fans would probably dismiss it as being filler when it didn't involve the sexy Headey. Other viewers, of course, will be turned off through the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs will also be relentless, as well as the movie has more and less nudity--more female, less male--than the graphic novel.) Still, being a representation of Miller's work in addition to being an ancient-themed action flick with a modern edge, 300 delivers. --David Horiuchi

The epic graphic novel by Frank Miller (Sin City) assaults the screen with the blood, thunder and awe of their ferocious visual style faithfully recreated within an intense blend of live-action and CGI animation. Retelling the ancient Battle of Thermopylae, it depicts the titanic clash where King Leonidas (Gerard Butler) and 300 Spartans fought to the death against Xerxes (Rodrigo Santoro) and his massive Persian army. Experience history at swordpoint. And moviemaking having a cutting edge.
.You can choose to buy a product and Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom in the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord from the Rings, Michael Fassbender, and Andrew Pleavin) in a battle contrary to the overwhelming force of Persian invaders. Their only hope is always to neutralize the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), at the narrow strait of Thermopylae. More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 can also be much like Sin City in that the actors were shot on green screen, then included with digitally created backgrounds. The effort takes care of in the strikingly stylized look and huge, sweeping battle scenes. However, it isn't really as to-the-letter faithful to Miller's source material as Sin City was. The plot is the same, and many of the book's images are represented just about perfectly. But some extra material has been added, including new villains (who can be considered "bosses" if this were a video game, also it often feels as though one) along with a political subplot involving new characters as well as a significantly expanded role for the Queen of Sparta (Lena Headey). Even if this subplot by director Zack Snyder (Dawn of the Dead) and his fellow co-writers does break inside the violence, most fans would probably dismiss it as filler whether it didn't involve the sexy Headey. Other viewers, of course, will probably be turned off by the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs may also be relentless, along with the movie has more and much less nudity--more female, less male--than the graphic novel.) Still, like a representation of Miller's work and as an ancient-themed action flick having a modern edge, 300 delivers. --David Horiuchi

The epic graphic novel by Frank Miller (Sin City) assaults the screen using the blood, thunder and awe of its ferocious visual style faithfully recreated in a intense blend of live-action and CGI animation. Retelling the standard Battle of Thermopylae, it depicts the titanic clash by which King Leonidas (Gerard Butler) and 300 Spartans fought towards the death against Xerxes (Rodrigo Santoro) and his massive Persian army. Experience history at swordpoint. And moviemaking having a cutting edge.
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List Price: $14.98
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Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom of the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord of the Rings, Michael Fassbender, and Andrew Pleavin) in to a battle contrary to the overwhelming force of Persian invaders. Their only hope is to neutralize the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), with the narrow strait of Thermopylae. More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 can be similar to Sin City in how the actors were shot on green screen, then included with digitally created backgrounds. The effort settles in the strikingly stylized look and huge, sweeping battle scenes. However, it's not as to-the-letter faithful to Miller's source material as Sin City was. The plot will be the same, and several of the book's images are represented just about perfectly. But a little extra material may be added, including new villains (who will be considered "bosses" if this were a video game, and it often feels like one) plus a political subplot involving new characters plus a significantly expanded role for the Queen of Sparta (Lena Headey). Even if this subplot by director Zack Snyder (Dawn with the Dead) and the fellow co-writers does break the violence, most fans would probably dismiss becoming filler when it didn't involve the sexy Headey. Other viewers, of course, will probably be turned off by the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs may also be relentless, along with the movie has more and much less nudity--more female, less male--than the graphic novel.) Still, like a representation of Miller's work so when an ancient-themed action flick having a modern edge, 300 delivers. --David Horiuchi

The epic graphic novel by Frank Miller (Sin City) assaults the screen with the blood, thunder and awe of its ferocious visual style faithfully recreated in an intense blend of live-action and CGI animation. Retelling the traditional Battle of Thermopylae, it depicts the titanic clash by which King Leonidas (Gerard Butler) and 300 Spartans fought for the death against Xerxes (Rodrigo Santoro) and his massive Persian army. Experience history at swordpoint. And moviemaking using a cutting edge.











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The Girl while using Dragon Tattoo (Three-Disc Combo Blu-ray / DVD + UltraViolet Digital Copy) (2011) price


you're want to buy A murder mystery rife with suspense, scandal, sexual abuse, and several supremely intriguing characters, Your Ex while using Dragon Tattoo is definitely an excellently crafted film adaptation of Stieg Larsson's equally fascinating book with the same name. Larsson's book was also the cornerstone of a 2009 Swedish film (also with all the same title), and while the Swedish film was good, this American version is much superior, thanks to fantastic cinematography and livelier pacing that results in the constant, electric tension that drives every second with the movie. The breathtaking footage of an snowy, remote island in Sweden thoroughly exudes bitter cold, along with the attention towards the smallest details, like the whistling from the wind by having a door left ajar, makes the hairs about the back of viewers' necks absolutely prickle. Like the book, the film is long (158 minutes), there's an abundance of dialogue that's never awkward and constantly efficient, where there are lots of false endings. The suspense and also the intricacy of the mystery are stellar, and also viewers who have in your mind the story well will quickly realize themselves sucked in to the riddle being investigated by journalist Mikael Blomkvist (Daniel Craig). The casting is great, as will be the performances of all the key actors, but by far the smartest thing relating to this film is Rooney Mara, that is utterly believable since the incredibly strong, extremely disturbed Lisbeth Salander, Blomkvist's unlikely assistant. Mara's performance is chillingly real and completely riveting. Yorick van Wageningen is perfectly despicable as Nils Bjurman (though his scene with Salander is likely to prove highly disturbing to some viewers), Christopher Plummer is surely an effective Henrik Vanger, and Stellen Skarsgård is eerily frightening as Martin Vanger. Viewers are only able to hope that director David Fincher, screenplay writer Steven Zaillian, and actors Craig and Mara continue their collaboration to make films based for the final two books of Larsson's Millennium trilogy. --Tami Horiuchi

This stylish, American adaptation of Stieg Larsson's novel chronicles the unusual partnership of disgraced journalist Mikael Blomkvist (Daniel Craig) and tattooed computer whiz Lisbeth Salander (Rooney Mara). Working together to uncover reality behind the disappearance of an wealthy businessman's niece nearly 40 years earlier, they end up thrust right into a dangerous web of secrecy and deception. With Christopher Plummer, Stellan Skarsgard, Robin Wright; David Fincher directs. 158 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo; Subtitles: English (SDH), Arabic, French, Hebrew, Hindi; audio commentary; featurettes; theatrical trailers; TV spots; bonus UltraViolet digital copy. Also incorporates a DVD version in the film. Three-disc set.
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This stylish, American adaptation of Stieg Larsson's novel chronicles the unusual partnership of disgraced journalist Mikael Blomkvist (Daniel Craig) and tattooed computer whiz Lisbeth Salander (Rooney Mara). Working together to uncover reality behind the disappearance of your wealthy businessman's niece nearly 40 years earlier, they end up thrust right into a dangerous web of secrecy and deception. With Christopher Plummer, Stellan Skarsgard, Robin Wright; David Fincher directs. 158 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo; Subtitles: English (SDH), Arabic, French, Hebrew, Hindi; audio commentary; featurettes; theatrical trailers; TV spots; bonus UltraViolet digital copy. Also incorporates a DVD version of the film. Three-disc set.
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This stylish, American adaptation of Stieg Larsson's novel chronicles the unusual partnership of disgraced journalist Mikael Blomkvist (Daniel Craig) and tattooed computer whiz Lisbeth Salander (Rooney Mara). Working together to uncover the reality behind the disappearance of your wealthy businessman's niece nearly 40 years earlier, they are thrust in to a dangerous web of secrecy and deception. With Christopher Plummer, Stellan Skarsgard, Robin Wright; David Fincher directs. 158 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo; Subtitles: English (SDH), Arabic, French, Hebrew, Hindi; audio commentary; featurettes; theatrical trailers; TV spots; bonus UltraViolet digital copy. Also includes a DVD version in the film. Three-disc set.
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A murder mystery rife with suspense, scandal, sexual abuse, and some supremely intriguing characters, The Woman using the Dragon Tattoo is definitely an excellently crafted film adaptation of Stieg Larsson's equally fascinating book with the same name. Larsson's book was also the foundation of a 2009 Swedish film (also using the same title), even though the Swedish film was good, this American version is much superior, thanks to fantastic cinematography and livelier pacing that results in the constant, electric tension that drives every second from the movie. The breathtaking footage of an snowy, remote island in Sweden thoroughly exudes bitter cold, and the attention on the smallest details, much like the whistling of the wind through a door left ajar, makes all the hairs for the back of viewers' necks absolutely prickle. Like the book, the film is long (158 minutes), there's an abundance of dialogue that is never awkward and try to efficient, and there are a lot of false endings. The suspense as well as the intricacy from the mystery are stellar, as well as viewers who know the story well will discover themselves sucked into the riddle being investigated by journalist Mikael Blomkvist (Daniel Craig). The casting is great, as would be the performances of the main element actors, but certainly the most sensible thing about it film is Rooney Mara, who's utterly believable since the incredibly strong, extremely disturbed Lisbeth Salander, Blomkvist's unlikely assistant. Mara's performance is chillingly real and completely riveting. Yorick van Wageningen is perfectly despicable as Nils Bjurman (though his scene with Salander is certain to prove highly disturbing to many viewers), Christopher Plummer is definitely an effective Henrik Vanger, and Stellen Skarsgård is eerily frightening as Martin Vanger. Viewers is only able to hope that director David Fincher, screenplay writer Steven Zaillian, and actors Craig and Mara will continue their collaboration to make films based around the final two books of Larsson's Millennium trilogy. --Tami Horiuchi

This stylish, American adaptation of Stieg Larsson's novel chronicles the unusual partnership of disgraced journalist Mikael Blomkvist (Daniel Craig) and tattooed computer whiz Lisbeth Salander (Rooney Mara). Working together to uncover the facts behind the disappearance of an wealthy businessman's niece nearly 40 years earlier, they find themselves thrust right into a dangerous web of secrecy and deception. With Christopher Plummer, Stellan Skarsgard, Robin Wright; David Fincher directs. 158 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo; Subtitles: English (SDH), Arabic, French, Hebrew, Hindi; audio commentary; featurettes; theatrical trailers; TV spots; bonus UltraViolet digital copy. Also incorporates a DVD version in the film. Three-disc set.











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Wednesday, March 21, 2012

The Lord from the Rings: The Film Trilogy (The Fellowship of the Ring / The 2 Towers / The Return of the King Extended Editions + Digital Copy) [Blu-ray] (2011)


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As the triumphant start of a trilogy, The Lord in the Rings: The Fellowship in the Ring leaves you begging for more. By necessity, Peter Jackson's ambitious epic compresses J.R.R. Tolkien's classic The Lord in the Rings, but this robust adaptation maintains reverent allegiance to Tolkien's creation, instantly qualifying together in the greatest fantasy films ever made. At 178 minutes, it's long enough to establish the myriad inhabitants of Middle-earth, the legendary Rings of Power, along with the fellowship of hobbits, elves, dwarves, and humans--led by the wizard Gandalf (Ian McKellen) along with the brave hobbit Frodo (Elijah Wood)--who must battle terrifying forces of evil on the perilous journey to destroy the One Ring inside land of Mordor. Superbly paced, the film is both epic and intimate, offering astonishing special effects and production design while emphasizing the emotional intensity of Frodo's adventure, and ends on a perfect note of heroic loyalty and rich anticipation.
After the breaking from the Fellowship, Frodo and Sam journey to Mordor using the creature Gollum as his or her guide in Both Towers. Meanwhile, Aragorn (Viggo Mortensen), Legolas (Orlando Bloom), and Gimli (John Rhys-Davies) join inside the defense from the people of Rohan, who will be the first target within the eradication in the race of Men with the renegade wizard Saruman (Christopher Lee) along with the dark lord Sauron. Fantastic creatures, astounding visual effects, and a climactic battle in the fortress of Helm's Deep make the Two Towers a worthy successor to The Fellowship in the Ring, grander in scale but retaining the story's emotional intimacy.

With The Return of the King, the maximum fantasy epic in film history draws to a grand and glorious conclusion. The trilogy could never fully satisfy those who remain exclusively loyal to Tolkien's expansive literature, but like a showcase for physical and technical craftsmanship it really is unsurpassed in pure scale and ambition, setting milestone after cinematic milestone as Frodo and Sam continue their mission to Mordor to eliminate the soul-corrupting One Ring. Even though the heir towards the kingdom of Men, Aragorn, endures the huge battle at Minas Tirith with the allegiance of Legolas, Gimli, and Gandalf, Frodo and Sam must survive the schizoid deceptions of Gollum, who remains utterly convincing as being a hybrid of performance (by Andy Serkis) and subtly nuanced computer animation. Jackson and cowriters Fran Walsh and Philippa Boyens have much ground to cover; that they do so with intense pacing and epic sweep is impressive enough, but by investing greater depth and consequence inside the actions of fellow hobbits Merry (Dominic Monaghan) and Pippin (Billy Boyd), they ensure that The Return from the King maintains the trilogy's focus on intimate fellowship and remains faithful to Tolkien's overall vision. By ending the LOTR trilogy with noble integrity and faith in the power of imaginative storytelling, The Return of the King, like its predecessors, will stand as an adventure to the ages. --Jeff Shannon and David Horiuchi

Our Review in the Extended Edition on DVD (Dec. 14, 2004):
The extended editions of Peter Jackson's The Lord with the Rings present the best trilogy in film history inside the most ambitious begins DVD history. In bringing J.R.R. Tolkien's nearly unfilmable work to the screen, Jackson benefited from extraordinary special effects, evocative New Zealand locales, and an exceptionally well-chosen cast, most of most from his or her own adaptation with co-writers Fran Walsh and Philippa Boyens, preserving Tolkien's vision and often his very words, but in addition making logical changes to accommodate the medium of film. While purists were unsatisfied with these changes and about characters and scenes left out from the films, the almost two additional hours of fabric within the extended editions (about 11 hours total) help appease them by delving more deeply into Tolkien's music, the characters, and loose ends that enrich the story, like a conclusion of the Faramir-Denethor relationship, and the appearance with the Mouth of Sauron on the gates of Mordor. In addition, the extended editions offer more bridge material between the films, further confirming that the trilogy is really one long film presented in three pieces (which is the reason why oahu is the greatest trilogy ever--there's no weak link). The scene of Galadriel's gifts on the Fellowship added to the first film proves significant in the course in the story, while the brand new Faramir scene at the end from the second film helps set in the third along with the new Saruman scene with the beginning from the third film helps conclude the plot with the second.

To top everything off, the extended editions offer four discs per film: two to the longer movie, plus four commentary tracks and stupendous DTS 6.1 ES sound; and a couple for your bonus material, which covers just about from script creation to special effects. The argument was that fans would need both versions for the reason that bonus material is completely different, though the features on the theatrical releases are really vastly inferior that the only real reason a fan would want them will be should they wanted to watch the shorter versions they saw in theaters (the last of which, The Return in the King, merely won 11 Oscars). The LOTR extended editions without exception have set the DVD standard by providing a richer film experience that pulls the 3 films together and further embraces Tolkien's world, a reference-quality home entertainment experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi

Versions of Lord in the Rings: The Movie Trilogy on Blu-ray and DVD

Original Theatrical Edition
Platinum Series Special Extended Edition
Original Theatrical and Extended Limited Edition
Original Theatrical Edition [Blu-ray]
Extended Edition [Blu-ray]
Release Date May 25, 2004 Dec. 14, 2004 Aug. 29, 2006 Apr. 16, 2010 TBA
Format/Disc # Three DVDs 12 DVDs Six DVDs Three Blu-ray Discs, Three DVDs, Three Digital Copies 15 Discs Total: Films are on Blu-ray, with Special Features on DVDs
Digital Copies No No No Yes, on three discs (expired Apr. 4, 2011)
Yes, online (expires Jun. 26, 2012)
Extra footage None 30 minutes included with Return from the King; 43 minutes added to the Two Towers; 50 minutes included with Return with the King For the three films: Both the theatrical and extended edition one disc None Same as extended-edition DVD
Commentaries None Commentary by Peter Jackson, Fran Walsh, and Philippa Boyens; Commentary from the design team; Commentary through the production/post-production team; Commentary through the cast, including Elijah Wood, Ian McKellen, Sean Astin, Andy Serkis, John Rhys-Davies, Orlando Bloom, Christopher Lee, and Miranda Otto None None Same commentaries as extended-edition DVD
Documentaries Fellowship of the Ring: "Welcome to Middle-earth," "The Quest for your Ring," "A Passage to Middle-earth"; The 2 Towers: "On the Set: The Lord in the Rings: the Two Towers"; "Return to Middle- earth"Return with the King: Three documentaries: "The Quest Fulfilled: A Director's Vision," "A Filmmaker's Journey: Making The Return of The King," "National Geographic Special: Beyond the Movie" "From Book to Vision," "From Vision to Reality," "The Journey Continues...," Documentaries on J.R.R. Tolkein, "From Book to Script" documentaries, "Designing and Building Middle-earth," "Home of the Horse Lords," "Gollum," "Filming 'The Two Towers,'" "Visual Effects," "Editorial: Refining the Story," "Music and Sound," "The Battle for Helm's Deep is Over..."; "Filming The Return from the King," "Weta Digital," "Post-Production: Journey's End," "The Passing of an Age," "Cameron Duncan: The Inspiration for 'Into the West'" Three behind-the-scenes documentaries by Costa Botes, the filmmaker director Peter Jackson personally hired Same as theatrical-edition DVD Same as extended-edition DVD, plus Costa Botes documentaries from your Original Theatrical & Extended Limited Edition
Featurettes Fellowship with the Ring: 15 featurettes originally made for lordoftherings.net; Both Towers: Eight featurettes originally created for lordoftherings.net; Return with the King: Six featurettes None None Same as theatrical-edition DVD None
Other Features Exclusive 10-minute behind-the-scenes previews of The 2 Towers and The Fellowship from the Ring; Enya "May It Be" music video; An inside look on the Special Extended DVD Edition of The Lord from the Rings Trilogy; Preview of Electronic Arts' video games; DVD-ROM features: Exclusive online content; Emiliana Torrini "Gollum Song" music video; "The Long and Short of It," a short film by Sean Astin; "The Lord of The Rings" Trilogy Supertrailer Design Galleries; "Middle-earth Atlas: Tracing the Journeys from the Fellowship" interactive map; "New Zealand as Middle-earth" interactive map w/on-location footage; production photos; "The Mumakil Battle" demonstration / multi-angle interactive feature; "DFK6498" short film, "Strike Zone" short film, DVD-ROM use of exclusive online features None Same as theatrical-edition DVD Same as extended edition DVDs; see above for complete special features

The Quest Is Over: All three extended versions in dazzling 1080p and DTS HD-MA 5.1 Audio. Deluxe set includes over 26 Hours of spellbinding behind-the- moviemaking material, like the Rare Costa Botes documentaries, on 15 discs.
The Lord of the Rings: The Fellowship in the Ring Extended Edition: With the help of the courageous fellowship of friends and allies, Frodo embarks on the perilous mission to eliminate the legendary One Ring.
The Lord from the Rings: the Two Towers Extended Edition: In the middle chapter of the historic movie trilogy, the Fellowship is broken but its quest to destroy the One Ring continues.
The Lord from the Rings: The Return in the King Extended Edition: The final battle for Middle-earth begins. Frodo and Sam, led by Gollum, continue their dangerous mission toward the fires of Mount Doom so as to eliminate the One Ring.












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The Ultimate Matrix Collection [Blu-ray] (2006)


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The Matrix
By following up their debut thriller Bound using the 1999 box-office smash The Matrix, the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of the sophomore jinx, crafting one of the most exhilarating sci-fi/action movies with the 1990s. Set inside much less distant future in a insipid, characterless city, we find a kid named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone in the home by his monitor, waiting to get a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him compared to that faceless character he may be waiting for: Morpheus (Laurence Fishburne). A messiah of sorts, Morpheus presents Neo with all the truth about his world by shedding light on the dark secrets which have troubled him for so long: "You've felt it your entire life, that there's something wrong using the world. You do not know what it really is, but it is there, just like a splinter inside your mind, driving you mad." Ultimately, Morpheus illustrates to Neo what the Matrix is--a reality beyond reality that controls all with their lives, in a method that Neo can barely comprehend.
Neo thus embarks by using an adventure that's both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his awesome team must train Neo to believe which he is the chosen champion of their fight. With mind-boggling, technically innovative special effects along with a thought-provoking script that owes a debt of inspiration towards the legacy of cyberpunk fiction, this can be much greater than an out-and-out action yarn; it is a thinking man's journey in to the realm of futuristic fantasy, a dreamscape packed with eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves and Fishburne--who both turn in fine performances--much in the fun and excitement ought to be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And when we had been planning to cast a vote for many dastardly movie villain of 1999, it might ought to check out Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. Because film's box-office profits soared, the Wachowski brothers announced that The Matrix is merely the first chapter in a very cinematically dazzling franchise--a chapter that is arguably superior on the other sci-fi smash of 1999 (you know... the main one starring Jar Jar Binks). --Jeremy Storey

The Matrix Reloaded
Considering the lofty expectations that preceded it, The Matrix Reloaded triumphs where most sequels fail. It would be impossible to complement the fresh audacity that made The Matrix a global phenomenon in 1999, however in continuing the exploits of rebellious Neo (Keanu Reeves), Morpheus (Laurence Fishburne), and Trinity (Carrie-Anne Moss) because they struggle to save lots of a person's sanctuary of Zion from invading machines, the codirecting Wachowski brothers have their own priorities well in order. They provide you with the obligatory bigger and better highlights (including the impressive "Burly Brawl" and freeway chase sequences) while remaining dedicated to cleverly plotting the centre of a brain-teasing trilogy that ends with The Matrix Revolutions. The metaphysical underpinnings might be dismissed or scrutinized, and choosing the latter course (this is, after all, an epic about choice and free will) contributes to astonishing repercussions that made Reloaded an explosive hit with critics and hardcore fans alike. As the centerpiece of an multimedia franchise, this dynamic sequel ends having a cliffhanger that virtually guarantees a mind-blowing conclusion. --Jeff Shannon

The Matrix Revolutions
Despite the inevitable law of diminishing returns, The Matrix Revolutions is quite satisfying as a possible adrenalized action epic, marking yet another milestone inside the exponential evolution of computer-generated special effects. That is probably not enough to satisfy hardcore Matrix fans who turned the Wachowski Brothers' hacker mythology in to a quasi-religious pop-cultural phenomenon, but there is no denying how the trilogy goes out with a cosmic bang instead of the whimper that lots of expected. Picking up precisely where The Matrix Reloaded left off, this 130-minute finale finds Neo (Keanu Reeves) with a virtual junction, defending the besieged human enclave of Zion by confronting the attacking machines on the home turf, while humans combat swarms of tentacled mechanical sentinels as Zion's fate lies inside the balance. It all amounts to some blaze of CGI glory, devoid of most however the shallowest emotions, and thus filled with metaphysical hokum how the trilogy's detractors can gloat with I-told-you-so sarcasm. And yet, Revolutions still succeeds as being a slick, exciting hybrid of cinema and video game, operating by its internal logic with enough forward momentum to generate the whole trilogy seem being a thrilling, magnificent dream. -- Jeff Shannon
The definitive 6-disc Blu-ray set, the Ultimate Matrix Collection features the three films inside the trilogy together to the new ever with a newly remastered picture and sound for The Matrix. Also included will be the companion piece The Matrix Revisited as well as the best-selling The Animatrix, plus five entirely new Blu-ray discs packed solid with brand-new supplemental materials that encompass every aspect from the Matrix universe, including two new audio commentaries on each film, Enter the Matrix game footage, 106 deep-delving featurettes/documentaries and a lot more!











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Star Wars: The Whole Saga (Episodes I-VI) [Blu-ray] (1977) review


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Episode I, The Phantom Menace "I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as they steps off a spaceship and to the most anticipated cinematic event... well, ever. He might too be speaking for the legions of fans from the original episodes inside the The exorcist saga who can't help but secretly ask themselves: Sure, this really is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations really at high level it would are already impossible for just about any subsequent film to satisfy them. And as effortlessly the Gi joe movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and a few cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is certainly still way a lot of quasi-mystical mumbo jumbo, and some of what was fresh about Gi joe 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated which has a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking inside their complexity. And one particular sequence in the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look as being a Sunday stroll with the park.
Among the host of the latest characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos which make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross from your Muppet, a frog, along with a hippie, provides many in the movie's lighter moments, while Sith Lord Darth Maul is often a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers from the Force or wield a lightsaber (much less transmute in the future Darth Vader), but his boyish exuberance wins over skeptics.

Near the conclusion with the movie, Palpatine, the new leader from the Republic, could possibly be speaking for fans eagerly awaiting Episode II when he pats young Anakin for the head and says, "We will watch your job with great interest." Indeed! --Tod Nelson

Episode II, Attack of the Clones If Your Phantom Menace was the setup, then Attack of the Clones could be the plot-progressing payoff, and devoted Gi joe fans are sure to become enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of your Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events in the original Gi joe as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance while using Dark Lord with the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All on this makes Episode II a technological milestone, savaged by some critics being a bloated, storyless spectacle, but nevertheless qualifying like a fan-approved precursor for the pivotal events of Episode III. --Jeff Shannon

Episode III, Revenge in the Sith Ending one of the most popular film epic in history, Star Wars: Episode III, Revenge in the Sith is definitely an exciting, uneven, but ultimately satisfying journey. Picking inside the action from Episode II, Attack from the Clones as well since the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space following the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid).

It's only the latest maneuver in the ongoing Clone Wars relating to the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack about the Wookiee homeworld of Kashyyyk. All that is in the first half of Episode III, which feels a great deal like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a brand new fearsome villain (the CGI-created Grievous can't match approximately either Darth Maul or perhaps the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left for the droids rather than Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids.

But then all of it changes.

After setting up characters and situations to the first couple of and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to look at over the Republic, as well as an integral part of that plan is to turn Anakin away from the Jedi and toward the Negative Side with the Force. Unless you are living within rock the final 10 years, you understand that Anakin will transform in to the dreaded Darth Vader and face a great showdown along with his mentor, but that doesn't matter. In fact, an incredible part of the fun is understanding where things will end up but discovering how they'll get there. The end of this prequel trilogy also should inspire fans to need to begin to view the original movies again, but on this occasion not out of frustration at the new ones. Rather, because Episode III is really a beginning also being an end, it'll trigger fond memories as it ties up threads for the originals in tidy little ways. But best of all, this indicates like for your first-time we actually care by what happens and who it happens to.

Episode III is readily the best with the new trilogy--OK, so that's not saying much, nevertheless it may even jockey for third place among the six The exorcist films. Additionally it is the first one to get rated PG-13 to the intense battles and darker plot. It was probably impossible to call home up for the decades' valuation on pent-up hype George Lucas faced for that The exorcist prequel trilogy (and he attempted to lower it using the first two movies), but Episode III causes us to be once more glad to be "a very long time ago, in a very galaxy far, far away." --David Horiuchi

Star Wars: The Initial Trilogy (Episodes IV - VI) The Star Wars trilogy had the rare distinction of becoming over merely a group of movies, but a cultural phenomenon, a life-defining event for the generation. On its surface, George Lucas's original 1977 film can be a rollicking and humorous space fantasy that owes debts to more influences than a single can rely on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a while ago, in a very galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids.

In the first film, Luke Skywalker (Mark Hamill) gets to call home out every boy's dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was simply able to cross over into stardom) and trained by Jedi master Obi-Wan Kenobi (Alec Guinness), Luke finds himself involved in a galactic war from the Empire along with the menacing Darth Vader (David Prowse, voiced by James Earl Jones). These film, The Empire Strikes Back (1980), takes a darker turn because the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner as opposed to Lucas, Empire is on the short list of Best Sequels Ever, marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, plus a now-classic "revelation" ending. The final film from the trilogy, Return with the Jedi (1983, directed by Richard Marquand), is the most uneven. Whilst the visual effects had taken quantum leaps within the years, leading to thrilling speeder chases and space dogfights, the tale is surely an uneasy combination of serious themes (Luke's maturation like a Jedi, the final of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks.

Years later, George Lucas transformed his films into "special editions" with the help of new scenes and special effects, which are greeted mostly by shrugs from fans. They were perfectly happy with all the films they had grown track of (who cares if Greedo shot first?), and thus disappointed by Lucas's decision to generate the special editions the only versions available. --David Horiuchi

DVD & Blu-ray Versions of Star Wars



Star Wars Trilogy (Widescreen Edition with Bonus Disc)



Star Wars Trilogy (Widescreen Edition Without Bonus Disc)

Star Wars Trilogy

Star Wars Prequel Trilogy

Star Wars: The Prequel Trilogy (Episodes I - III) [Blu-ray]

Star Wars: The First Trilogy (Episodes IV - VI) [Blu-ray]

Star Wars: The Whole Saga (Episodes I-VI) [Blu-ray]
Release Date September 21, 2004 December 6, 2005 November 4, 2008 November 4, 2008 September 16, 2011 September 16, 2011 September 16, 2011
Format/Disc # DVD (4 Discs) DVD (3 Discs) DVD (6 Discs) DVD (6 Discs) Blu-ray (3 Discs) Blu-ray (3 Discs) Blu-ray (9 Discs) + 16 page booklet
Blu-ray 3D No No No No No No No
Blu-ray No No No No Yes Yes Yes
DVD Yes Yes Yes Yes No No No
Digital Copy No No No No No No No
Original Theatrical Version No No Yes Yes No No No
Bonus Features Star Wars, Episode IV: Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher

Star Wars, Episode V: Commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher

Bonus Disc: All-new bonus features, including probably the most comprehensive feature-length documentary ever produced about the Star Wars saga, and never-before-seen footage in the making of the 3 films
"Empire of Dreams: The Storyplot of the Gi joe Trilogy"

Featurettes: The Legendary Creatures of Star Wars, The Birth with the Lightsaber, The Legacy of Star Wars

Teasers, Trailers, TV spots, Still Galleries

Playable Xbox demo with the new Lucasarts game Star Wars Battlefront
The making in the Episode III videogame

Exclusive preview of Star Wars: Episode III The exorcist Episode IV:  Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher

Star Wars Episode V: Commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher None Star Wars, Episode I: Commentary by George Lucas and company

Star Wars, Episode II:

From Puppets to Pixels
State with the Art: Previsualization of Episode II

8 deleted scenes with intros

Music Video
Visual Specs Breakdown
12 Web Documentaries
4 Trailers
12 TV Spots
Easter Egg
Still Galleries DVD-ROM links Star Wars, Episode I: Audio Commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, John Knoll, Dennis Muren and Scott Squires, Audio Commentary from Archival Interviews with Cast and Crew
Star Wars, Episode II: Audio Commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, Pablo Helman, John Knoll and Ben Snow, Audio Commentary from Archival Interviews with Cast and Crew

Star Wars, Episode III: Audio Commentary with George Lucas, Rick McCallum, Rob Coleman, John Knoll and Roger Guyett

Audio Commentary from Archival Interviews with Cast and Crew

Star Wars, Episode IV: Audio Commentary with George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren
Audio Commentary from Archival Interviews with Cast and Crew

Star Wars, Episode V: Audio Commentary with George Lucas, Irvin Kershner, Carrie Fisher, Ben Burtt and Dennis Muren

Audio Commentary from Archival Interviews with Cast and Crew
Star Wars, Episode VI: Audio Commentary with George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren, > Audio Commentary from Archival Interviews with Cast and Crew

Same as Star Wars: The Prequel Trilogy (Episodes I-III) [Blu-ray] and Star Wars: The First Trilogy (Episodes IV-VI) [Blu-ray] plus:
New! Gi joe Archives, Episodes IV-VI: Includes deleted, extended and alternate scenes; prop, maquette and costume turnarounds; matte paintings and concept art; supplementary interviews with cast and crew; and much more

Star Wars Documentaries: NEW! Star Warriors (2007, Color, Apx. 84 Minutes)

NEW! A Conversation using the Masters: The Empire Strikes Back 3 Decades Later (2010, Color, Apx. 25 Minutes)

NEW! Gi joe Spoofs (2011, Color, Apx. 91 Minutes)

The Making of Star Wars (1977, Color, Apx. 49 Minutes)

The Empire Strikes Back: SPFX (1980, Color, Apx. 48 Minutes)

Classic Creatures: Return of the Jedi (1983, Color, Apx. 48 Minutes)

Anatomy of a Dewback (1997, Color, Apx. 26 Minutes)

Star Wars Tech (2007, Color, Apx. 46 Minutes)
Star Wars: the Complete Blu-ray Saga will feature all six live-action Alien feature films utilizing the best possible picture and audio presentation.
Star Wars Episode I: The Phantom Menace
(32 Years Before Episode IV) Stranded about the desert planet Tatooine after rescuing young Queen Amidala from your impending invasion of Naboo, Jedi apprentice Obi-Wan Kenobi with his fantastic Jedi Master discover nine-year-old Anakin Skywalker, a new slave unusually strong in the Force. Anakin wins a thrilling Podrace and by using it his freedom as they leaves his home to get trained as being a Jedi. The heroes go back to Naboo where Anakin and the Queen face massive invasion forces while both the Jedi contend having a deadly foe named Darth Maul. Only then can they realize the invasion is merely the initial step in the sinister scheme through the re-emergent forces of darkness known because the Sith.

Star Wars Episode II: Attack of the Clones
(22 Years Before Episode IV) Ten years following the events from the Battle of Naboo, not only gets the galaxy undergone significant change, but so have Obi-Wan Kenobi, Padmé Amidala, and Anakin Skywalker since they are thrown together again for the very first time considering that the Trade Federation invasion of Naboo. Anakin has exploded to the accomplished Jedi apprentice of Obi-Wan, who himself has transitioned from student to teacher. The two Jedi are assigned to protect Padmé whose every day life is threatened with a faction of political separatists. As relationships form and powerful forces collide, these heroes face choices that may impact not only their particular fates, but the destiny from the Republic.

Star Wars Episode III: Revenge in the Sith
(19 Years before Episode IV) Three years as soon as the onset with the Clone Wars, the noble Jedi Knights are actually leading a massive clone army in to a galaxy-wide battle up against the Separatists. When the sinister Sith unveil a thousand-year-old plot to rule the galaxy, the Republic crumbles and looking at the ashes rises the evil Galactic Empire. Jedi hero Anakin Skywalker is seduced from the negative side of the Force being the Emperor's new apprentice--Darth Vader. The Jedi are decimated, as Obi-Wan Kenobi and Jedi Master Yoda are forced into hiding. The only hope for your galaxy are Anakin's own offspring.

Star Wars Episode IV: A Whole New Hope
Nineteen years following your formation of the Empire, Luke Skywalker is thrust in to the struggle with the Rebel Alliance when he meets Obi-Wan Kenobi, who may have lived for years in seclusion about the desert planet of Tatooine. Obi-Wan begins Luke's Jedi training as Luke joins him over a daring mission to rescue the gorgeous Rebel leader Princess Leia from your clutches in the evil Empire.

Star Wars Episode V: The Empire Strikes Back
Luke Skywalker and his friends have create a fresh base on the ice planet of Hoth, but it is brand new show before their secret location is discovered from the evil Empire. After narrowly escaping, Luke splits off from his friends to look for a Jedi Master called Yoda. Meanwhile, Han Solo, Chewbacca, Princess Leia, and C-3PO seek sanctuary in a city in the Clouds run by Lando Calrissian, an old friend of Han’s. But little do they recognize that Darth Vader already awaits them.

Star Wars Episode VI: Return of the Jedi
(4 years after Episode IV) In the epic conclusion from the saga, the Empire prepares to crush the Rebellion using a stronger Death Star while the Rebel fleet mounts an enormous attack on the space station. Luke Skywalker confronts Darth Vader in a very final climactic duel before the evil Emperor.












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Adele Live With The Royal Albert Hall (Blu-ray/CD) (2011) price


you're want to buy Adele Live With The Royal Albert Hall (Blu-ray/CD) (2011),yes ..! you comes at the right place. you can get special discount for Adele Live With The Royal Albert Hall (Blu-ray/CD) (2011).You can choose to buy a product and Adele Live With The Royal Albert Hall (Blu-ray/CD) (2011) at the Best Price Online with Secure Transaction Here...





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List Price: $31.98
Price: $20.99 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Live at The Royal Albert Hall was upon September 22 in the height of what has been a fantastic year for Adele. Available on DVD and Blu-ray, "Live In The Royal Albert Hall" features the complete 90 minute concert performance, plus special behind the curtain footage shot throughout your day leading up for the concert.
The package also includes an exclusive live CD in the entire show. This will be the very first time all of Adele's hits and greatest loved songs will likely be on one CD plus her stunning covers of Bonnie Raitt's "If I Can Not Allow You To Love Me" and The Steeldrivers "If It Hadn't Been For Love"
This version contains mature language. This release can also be available like a DVD/CD.

Track Listing:
1.Hometown Glory
2.I ll Be Waiting
3.Don t You Remember
4.Turning Tables
5.Set Fire Towards The Rain
6.If It Hadn t Been For Love
7.My Same
8.Take It All
9.Rumour Has It
10.Right As Rain
11.One & Only
12.Lovesong
13.Chasing Pavements
14.I Can t Cause You To Love Me
15.Make you Feel My Love
16.Someone Like You
17.Rolling Within The Deep











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Planet Earth: the Complete BBC Series [Blu-ray] (2006) price


you're want to buy As of its release in early 2007, Planet Earth is fairly simply the greatest nature/wildlife series ever produced. Following the similarly monumental achievement of The Blue Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized to ensure that each 50-minute episode covers a specific geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) before entire planet has been magnificently represented through the most astonishing sights and sounds you'll ever experience from the comforts of home. The premiere episode, "From Pole to Pole," serves as a primer for items to come, placing the entire series in proper context and giving a general overview of the can be expected from every person episode. Without being overtly political, the series maintains a consistent and subtle emphasis for the urgent need for ongoing conservation, best illustrated from the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes within their fast-melting habitat) inside wake of global warming--a phenomenon this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless number of natural wonders, through the spectacular mating displays of New Guinea's various birds of paradise to some rare encounter with Siberia's nearly-extinct Amur Leopards, of which only 30 remain inside the wild.
That's just a hint with the marvels on display. Accompanied by majestic orchestral scores by George Fenton, every episode is full of images so beautiful roughly forcefully impressive (and so perfectly photographed from the BBC's tenacious high-definition camera crews) that you can easily up rendered speechless through the splendor than it all. You'll go to a seal struggling to out-maneuver a Great White Shark; swimming macaques in the Ganges delta; massive flocks of snow geese numbering within the countless thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or "flying lemur"--not a legitimate lemur!) with the Philippines; a hunting alliance of fish and snakes on Indonesia's magnificent coral reef; the bioluminescent "vampire squid" in the deep oceans... these are just a few of countless highlights, masterfully filmed from every conceivable angle, with frequent utilization of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough regarding his trademark mixture of observational wit and informative authority. The effect is a hugely entertaining series that does not flinch from the predatory realities of nature (death is often a constant presence, without being off-putting). At a time once the multiple threats of climate change should be obvious to all, let's give Sir David the final word, from your closing of Planet Earth's final episode: "We can now destroy or we can easily cherish--the option is ours." --Jeff Shannon

Stills from Planet Earth (click for larger image)



With an unprecedented production budget of $25 million, and in the makers of Blue Planet: Seas of Life, comes the epic story of life on Earth. Five years in production, over 2,000 days in the field, using 40 cameramen filming across 200 locations, shot entirely in high definition, this really is the best portrait individuals planet. A stunning television experience that captures rare action, impossible locations and intimate moments with our planet's best-loved, wildest and quite a few elusive creatures. From the best mountains to the deepest rivers, this blockbuster series goes while on an unforgettable journey from the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes that you places you have never seen before, to see sights and sounds you might never experience anywhere else.
,yes ..! you comes at the right place. you can get special discount for As of their release during the early 2007, Planet Earth is fairly simply the maximum nature/wildlife series ever produced. Following the similarly monumental achievement of The Blue Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized to ensure that each 50-minute episode covers a specific geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) prior to the entire planet may be magnificently represented through the most astonishing sights and sounds you'll ever experience through the comforts of home. The premiere episode, "From Pole to Pole," serves being a primer for what to come, placing the entire series in proper context and giving a general overview products to anticipate from each individual episode. Without being overtly political, the series maintains a consistent and subtle emphasis about the urgent need for ongoing conservation, best illustrated with the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes of their fast-melting habitat) in the wake of global warming--a phenomenon that this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless number of natural wonders, in the spectacular mating displays of New Guinea's various birds of paradise to some rare encounter with Siberia's nearly-extinct Amur Leopards, that only 30 remain inside wild.
That's just a hint from the marvels on display. Accompanied by majestic orchestral scores by George Fenton, every episode is packed with images so beautiful roughly forcefully impressive (and so perfectly photographed with the BBC's tenacious high-definition camera crews) that you'll be rendered speechless by the splendor of it all. You'll go to a seal struggling to out-maneuver a Great White Shark; swimming macaques inside the Ganges delta; massive flocks of snow geese numbering in the countless thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or "flying lemur"--not really a lemur!) from the Philippines; a hunting alliance of fish and snakes on Indonesia's magnificent coral reef; the bioluminescent "vampire squid" of the deep oceans... these are merely several of countless highlights, masterfully filmed from every conceivable angle, with frequent utilization of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough together with his trademark mix of observational wit and informative authority. The end result is really a hugely entertaining series that does not flinch from your predatory realities of nature (death is a constant presence, without needing to be off-putting). At a period if the multiple threats of climate change ought to be obvious to all, let's give Sir David the past word, from your closing of Planet Earth's final episode: "We is now able to destroy or we can cherish--the options are ours." --Jeff Shannon

Stills from Planet Earth (click for larger image)



With an unprecedented production budget of $25 million, and in the makers of Blue Planet: Seas of Life, comes the epic story of life on Earth. Five years in production, over 2,000 days in the field, using 40 cameramen filming across 200 locations, shot entirely in high definition, this is the best portrait individuals planet. A stunning television experience that captures rare action, impossible locations and intimate moments with this planet's best-loved, wildest and most elusive creatures. From the greatest mountains towards the deepest rivers, this blockbuster series goes with an unforgettable journey from the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes one to places you might have never seen before, to have sights and sounds you could possibly never experience anywhere else.
.You can choose to buy a product and As of its release during the early 2007, Planet Earth is very simply the maximum nature/wildlife series ever produced. Following the similarly monumental achievement of Nowhere Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized in order that each 50-minute episode covers a particular geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) before the entire planet continues to be magnificently represented with the most astonishing sights and sounds you'll ever experience in the comforts of home. The premiere episode, "From Pole to Pole," serves as a primer for things to come, placing the entire series in proper context and giving a general overview of the items can be expected from each individual episode. Without being overtly political, the series looks after a consistent and subtle emphasis for the urgent dependence on ongoing conservation, best illustrated through the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes of their fast-melting habitat) within the wake of global warming--a phenomenon that this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless variety of natural wonders, through the spectacular mating displays of New Guinea's various birds of paradise to a rare encounter with Siberia's nearly-extinct Amur Leopards, of which only 30 remain inside wild.
That's just a touch in the marvels on display. Accompanied by majestic orchestral scores by George Fenton, every episode is full of images so beautiful approximately forcefully impressive (and so perfectly photographed from the BBC's tenacious high-definition camera crews) that you may be rendered speechless through the splendor of it all. You'll view a seal struggling to out-maneuver a Great White Shark; swimming macaques inside Ganges delta; massive flocks of snow geese numbering inside the countless thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or "flying lemur"--not a real lemur!) of the Philippines; a hunting alliance of fish and snakes on Indonesia's magnificent coral reef; the bioluminescent "vampire squid" from the deep oceans... these are merely a couple of of countless highlights, masterfully filmed from every conceivable angle, with frequent use of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough together with his trademark mix of observational wit and informative authority. The effect is really a hugely entertaining series it doesn't flinch from the predatory realities of nature (death is a constant presence, without being off-putting). At a time in the wedding the multiple threats of climate change should be obvious to all, let's give Sir David the very last word, from your closing of Planet Earth's final episode: "We are now able to destroy or we could cherish--the option is ours." --Jeff Shannon

Stills from Planet Earth (click for larger image)



With an unprecedented production budget of $25 million, and from your makers of Blue Planet: Seas of Life, comes the epic story of life on Earth. Five years in production, over 2,000 days in the field, using 40 cameramen filming across 200 locations, shot entirely in high definition, that is the best portrait in our planet. A stunning television experience that captures rare action, impossible locations and intimate moments with our planet's best-loved, wildest and many elusive creatures. From the greatest mountains for the deepest rivers, this blockbuster series takes you with an unforgettable journey over the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes one to places you have never witnessed before, to see sights and sounds you could possibly never experience anywhere else.
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List Price: $99.98
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As of the release in early 2007, Planet Earth is quite simply the best nature/wildlife series ever produced. Following the similarly monumental achievement of The Blue Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized to ensure that each 50-minute episode covers a particular geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) until the entire planet continues to be magnificently represented from the most astonishing sights and sounds you'll ever experience in the comforts of home. The premiere episode, "From Pole to Pole," serves like a primer for things to come, placing the entire series in proper context and giving a general overview of what can be expected from every person episode. Without being overtly political, the series keeps a consistent and subtle emphasis about the urgent requirement for ongoing conservation, best illustrated with the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes inside their fast-melting habitat) inside wake of global warming--a phenomenon until this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless selection of natural wonders, through the spectacular mating displays of New Guinea's various birds of paradise to a rare encounter with Siberia's nearly-extinct Amur Leopards, of which only 30 remain inside wild.
That's just a touch from the marvels on display. Accompanied by majestic orchestral scores by George Fenton, every episode is filled with images so beautiful approximately forcefully impressive (and so perfectly photographed from the BBC's tenacious high-definition camera crews) that you can easily up rendered speechless with the splendor of it all. You'll view a seal struggling to out-maneuver a Great White Shark; swimming macaques in the Ganges delta; massive flocks of snow geese numbering inside the a huge selection of thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or "flying lemur"--not a real lemur!) from the Philippines; a hunting alliance of fish and snakes on Indonesia's magnificent coral reef; the bioluminescent "vampire squid" in the deep oceans... these are simply several of countless highlights, masterfully filmed from every conceivable angle, with frequent use of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough together with his trademark mix of observational wit and informative authority. The effect is often a hugely entertaining series that doesn't flinch in the predatory realities of nature (death is often a constant presence, without needing to be off-putting). At a time when the multiple threats of climatic change should be obvious to all, let's give Sir David the final word, through the closing of Planet Earth's final episode: "We are now able to destroy or we could cherish--the option is ours." --Jeff Shannon

Stills from Planet Earth (click for larger image)



With an unprecedented production budget of $25 million, and in the makers of Blue Planet: Seas of Life, comes the epic story of life on Earth. Five years in production, over 2,000 days inside field, using 40 cameramen filming across 200 locations, shot entirely in high definition, that is the best portrait of our planet. A stunning television experience that captures rare action, impossible locations and intimate moments with this planet's best-loved, wildest and a serious few elusive creatures. From the greatest mountains towards the deepest rivers, this blockbuster series takes you while on an unforgettable journey with the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes you to definitely places you have never witnessed before, to see sights and sounds you could possibly never experience anywhere else.











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