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In resourceful orphan Hugo Cabret (Asa Butterfield, an Oliver Twist-like charmer), Martin Scorsese finds the perfect vessel for his silver-screen passion: this is really a movie about movies (fittingly, the 3-D effects are spectacular). After his clockmaker father (Jude Law) perishes in the museum fire, Hugo goes to call home together with his Uncle Claude (Ray Winstone), a drunkard who maintains the clocks with a Paris train station. When Claude disappears, Hugo carries on his work and fends for himself by stealing food from area merchants. In the free time, he attempts to fix an automaton his father rescued from the museum, while attempting to evade the station inspector (Sacha Baron Cohen), a World War I veteran without any sympathy for lawbreakers. When Georges (Ben Kingsley), a toymaker, catches Hugo stealing parts for his mechanical man, he recruits him as a possible assistant to repay his debt. If Georges is guarded, his open-hearted ward, Isabelle (Chloë Moretz), introduces Hugo to a kindly bookseller (Christopher Lee), who directs them to some motion-picture museum, where they meet film scholar René (Boardwalk Empire's Michael Stuhlbarg). In helping unlock the key from the automaton, they learn in relation to its the roots of cinema, starting using the Lumière brothers, and give you a forgotten movie pioneer his due, thus illustrating the importance of film preservation, a provocke that the director has dedicated his life. If Scorsese's adaptation of The Invention of Hugo Cabret isn't his most autobiographical work, it just could possibly be his most personal. --Kathleen C. Fennessy
Welcome to some magical world of spectacular adventure! When wily and resourceful Hugo discovers a secret left by his father, he unlocks a mystery and embarks on the quest which will transform those around him and lead to a safe and loving place he can call home. Academy Award®-winning filmmaker Martin Scorsese invites you to definitely experience a thrilling journey that critics are calling “the stuff that dreams are made of.” *Peter Travers, Rolling Stone

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