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Throughout his long, wandering, often distinguished career Francis Ford Coppola has made many films which can be good and fine, a lot more which can be flawed but undeniably interesting, along with a few duds that are worth viewing if perhaps because his personality is really flagrantly absent. Yet he or she is and constantly will be known as the man who directed the Godfather films, a series that has dominated and defined their creator inside a way perhaps few other director can understand. Coppola hasn't been able to leave them alone, whether returning after Fifteen years to make a trilogy from the diptych, or re-editing the first two films into chronological order for the separate video release as The Godfather Saga. The films are our own Shakespearean cycle: they tell a tale of an vicious mobster and the extended personal and professional families (once the stuff of righteous moral comeuppance), and so they dared presenting themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, would be a serious business. The initial film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone to the family business, the transition of power from his father, the ruthless dispatch of his enemies--all that is told having an assurance which is breathtaking to behold. And it proved being merely prologue; 2 yrs later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba using the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate, along with the isolated despair with the end wholly earned. (Has there have you been a cinematic performance higher than Al Pacino's Michael, so smart and ambitious, marching from the years into what he knows is their own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as a possible attempted cash-in, nonetheless it is often a wholly worthy conclusion, less slow than autumnally patient and almost merciless inside the way it brings Michael's past sins crashing down around him even while he attempts to redeem himself. --Bruce Reid
On the DVD
People used to say this was Frank Sinatra's world, and the rest individuals just lived in it. After watching the multiple special features inside box set The Godfather: Coppola Restoration, one might conclude it really is time for a cultural and historical revision: This will be the Corleone family's world. The rest of us better tread lightly. Actually, the purpose with the half-dozen or so features crammed onto a disc accompanying the beautifully restored The Godfather, The Godfather II and The Godfather III, is always that The Godfather movies have penetrated popular culture in this type of deep and meaningful way which they are second-nature to everything. David Chase, creator of and writer on The Sopranos, for example, describes inside the featurette "Godfather World" that his hit HBO series was intended to get the storyplot with the first generation of mobsters actually influenced by Francis Ford Coppola's hit trilogy. Joe Mantegna calls these films "the Italian Star Wars." (Mantegna co-stars in The Godfather III.) Alec Baldwin says it is irrelevant what one is doing, one is compelled to prevent watching the films if they are on television. Richard Belzer calls the films "a religion."
And so on. A number of people similarly testify in "Godfather World" to the importance and ubiquitousness of The Godfather and its sequels in American life. There's no reason in arguing, so its best to maneuver on to the other featurettes, including "The Masterpiece That Almost Wasn't," reviewing at length much products may be said about Paramount's mistreatment of Coppola, about casting fights (Steve McQueen as Michael?), concerning the studio's assumption these folks were finding a quick-and-dirty B-movie, and about producer Robert Evans' determination to hold his range of director and unlikely actors under his wing. Fresh information inside the special features, however, begins with "… When the Shooting Stopped," a superb study of post-production on The Godfather, with several surprising and fascinating facts. Among emerging details is definitely an explanation of why Michael Corleone's scream toward the finish of The Godfather III is silenced out. (Hint: it absolutely was meant to get the inverse of an sound effect inside first movie.) "Emulsional Rescue: Revealing The Godfather" talks concerning the painstaking work of restoring the first couple of films, beginning with a phone call from Coppola to Steven Spielberg (after the latter's DreamWorks studio became part of the Viacom family) asking if he'd request money from Paramount for restoration work. "The Godfather On the Red Carpet can be a negligible compilation of fawning statements concerning the movie from hot young actors, while "Four Short Films" are brief and enjoyable represents different facets of The Godfather's impact on modern living. --Tom Keogh
Stills from The Godfather - The Coppola Restoration Giftset (Click for larger image)
THE GODFATHER: Popularly viewed together in the best American films ever made, the multi-generational crime saga The Godfather (1972) is often a touchstone of cinema: one from the most widely imitated, quoted, and lampooned movies coming from all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It may be the late 1940s in New York and Corleone is, inside parlance of organized crime, a "godfather" or "don," the head of an Mafia family. Michael, a free of charge thinker who defied his father by enlisting inside Marines to address in World War II, has returned a captain and a war hero. Having way back when rejected your family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), regarding his non-Italian girlfriend, Kay (Diane Keaton), who learns for your first-time regarding the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen within the employ of your drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) he needs to be the one to exact revenge for the men responsible. After murdering a corrupt police captain and the drug trafficker, Michael hides in Sicily while a gang war erupts at home. Falling for each other using a local girl, Michael marries her, but she's later slain by Corleone enemies within an attempt on Michael's life. Sonny can also be butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace together with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael may be groomed as the modern don, he leads your family to your new era of prosperity, then launches a campaign of murderous revenge against those that once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by means of a set of two sequels.
THE GODFATHER PART II: This brilliant companion piece to the original The Godfather continues the saga of two generations of successive power from the Corleone family. Coppola tells two stories in Part II: the roots and rise of an young Don Vito, played with uncanny ability by Robert De Niro, as well as the ascension of Michael (Al Pacino) as the brand new Don. Reassembling many with the talents who helped make The Godfather, Coppola has produced a film of staggering magnitude and vision, and undeniably the best sequel ever made. Robert De Niro won an Oscar®; the film received six Academy Awards, including Best Picture of 1974.
THE GODFATHER PART III: One with the greatest sagas in movie history continues! In this third film inside epic Corleone trilogy, Al Pacino reprises the role of powerful family leader Michael Corleone. Now in his 60's, Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor may be fiery Vincent (Andy Garcia)... but he might also function as spark that turns Michael's hope of business legitimacy into an inferno of mob violence. Francis Ford Coppola directs Pacino, Garcia, Diane Keaton, Talia Shire, Eli Wallach, Sofia Coppola, Joe Montegna among others within this exciting, long-awaited film that masterfully explores the themes of power, tradition, revenge and love. Seven Academy Award® nominations, including Best Picture.

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